‘Film/Telly’ Category

  1. Hogwarts’ Great Hall and Banquet Motifs

    5 April, 2012 by Alexa Chipman

    After Harry’s difficult life with the Dursleys growing up, when he arrived at Hogwarts and was sorted into Gryffindor he finally felt like he was at home. His first glimpse of Dumbledore was when the headmaster lifted his chalice and nodded to him in welcome. That act was like saying, “you are finally in a community where you can grow into who you are with people who love you.” The headmaster was welcoming Harry home at last.

    This moment was pointed to in a brief homily at Holy Thursday today. When the chalice was lifted to the twelve at the Last Supper it was a similar moment—a welcoming into a close-knit community that someday would make a remarkable impact on the world.

      

    After reading enough theology, the them of banquet motifs starts coming up quite often in scripture studies. One read-through of Esther noting the banquets, or even Luke will show you how important they are. When reading the Harry Potter series the same motif comes up—who can forget “Troll in the Dungeon!” or the Tri-Wizard Tournament schools arriving? Next time you read about banquets, realize that beyond the sudden wish to go eat chocolate cake, they are usually crucial turning-points in literature and they signal that it is time to pay close attention. So whether or not you have Hermione to translate the speeches, know that banquet = crucial moment.

    Screencaptures thanks to Screencap Paradise


  2. Religious Orders in Fantasy – Once Upon a Time Fairy Godmothers

    28 March, 2012 by Alexa Chipman

    Once Upon a Time
    Episode: Dreamy
    (Fairy Godmothers / Nuns of Storybrooke)

    The premise of the show is that storybook characters are cursed by an evil queen and sent into our world with no memory of who they are and all the happy endings ruined. In the episode Dreamy, we see a group of nuns who were originally fairy godmothers like in Cinderella as they desperately try to raise enough funds to pay the monthly rent for their convent.

    What I find fascinating about this episode is not only that nuns are equated with fairy godmothers (rather than cruel people wielding rulers) but that love is the theme of the episode. When looking at Joss Whedon’s writing, it is clear he assumes those in religious orders are avoiding love, yet here in Storybrooke we see one of the nuns starting to fall in love and accepting that fact. The series portrays the women as loving, funny, and unique. While some fairies take their job seriously, like the Blue Fairy, and others are happy and bumbling, like Nova, each is portrayed ultimately as being filled with beauty and love of all those around them.

    Amy Acker as Astrid/Nova brings a sweet bouncy liveliness to her role that corresponds well with both her fairy persona and the nun she becomes. Here she is about to lose her home with nothing but a few candle sales to help, yet she is still excited about the world and able to give her love even to the most unlikely people—those others would ignore or revile. I love the fact Once Upon a Time uses her as an example of a nun. It was so refreshing I kept rewatching her scenes over and over.

    Even though the Blue Fairy is on the strict side, she is also a fairy godmother who already has done a lot of good in the series—like helping Jiminy Cricket when he needed a fairy. Even when Astrid accidentally spent the entire budget on a single item by mistake, the Blue Fairy in her role as Mother Superior was about as kind as someone could be when they find out their entire future is completely in jeopardy. She reacts in a very human natural way—not as a stereotypical nun in tv.

    Overall, even though they play a very minor role in the series, I have been pleased with how the nuns were portrayed on the show. It proves that writers can put in religious characters that are done well when they put their mind to it.


  3. Religious Orders in Scifi – Sarah Jane Adventures

    6 February, 2012 by Alexa Chipman

    Sarah Jane Adventures
    Episode: Eye of the Gorgon
    (Secret Medusa Worshipers)

    This is what happens when a writer watches some 1950s television whilst eating crisps and not paying attention, then bases an entire story on the few seconds they may or may not have been paying attention to that were probably not entirely accurate anyway. The equivalent would be trying to tell a story about modern ballet dancers and basing the entire premise on watching five minutes of “Red Shoes”. It is one thing to make up an entirely new religious order like the Jedi and another thing to try to write about current religious orders.  A bit of research would not have been difficult—anyone from the Sarah Jane Adventures could have texted a nun for a little fact check. First off, in order to keep up appearances as a proper religious order, the nuns would have to follow at least a few of the Vatican II guidelines. One visit at this place would ring alarm bells all over. The sisters in the episode aren’t even trying to look like they are sisters—current very dedicated congregations of real sisters have been cut off, split, or disbanded for less than some of the things they were pulling in this episode.

    That being said, the premise that a group of Medusa worshipers could put up a front as a religious order is rather overdone in scifi yet still intriguing. I can understand that after what I assume to be years of heavily cloistered structure, a few would want to do something a bit mad to compensate if they did not have access to proper psychological assistance. Normally that would be things like creating stained glass or risking a life to save orphans, rather than starting an odd sort of cult. Such a thing would be almost impossible to hide in the closeness of community life—thus the idea that all the nuns were Medusa cultists makes a sort of sense. Had their fake front been better it may have been at least plausible within the Doctor Who universe. The main problem is that scifi shows this sort of half-crazed cult type nun so often that it is no longer odd. You kind of have to show that 99% of them are totally normal and hard working in order for it to have an impact. Viewers assume anyone in a habit is showing up as a villain at this point, so if a writer took the time to add in someone ethical and normal they would probably surprise the entire scifi geek audience.

    Although the episode’s setting is fabulous with the old house and secret hiding spaces, it is also another check mark on the cliche list. We’ve got over-the-top habits (check) lunatic religious fervor (check) idiotic easy to trick women (check) secret evil master plan (check) and oh yes creepy random old convent (check). What is hilarious is the fact that this is so often applied to what are portrayed as current “modern” sisters. I’ve been to a lot of convents and guess what—many aren’t even in habits any more, or if they are it is a modified modern version. Sisters do not have lunatic fervor that clouds their judgement and are often almost overpoweringly intelligent reasonable women who oh yes are not evil. They also do live in houses built a few years ago that are even listed green buildings. Yes—nuns have heating and electricity and even things like wireless internet! They do not live in Gothic mansions with spiderwebs! (Although that would be kind of cool). While I love Sarah Jane, this was a bit of a flop in my mind, because they just plucked out “Medieval Sister” cutouts and pasted them into the story. The kids were wearing jeans, why weren’t the Sisters? I guess it is not as visually stunning. But do you know what would be really stunning? Actually portraying Sisters! Yup. I know I’d be amazed.