‘Writing’ Category

  1. Visualizing the Erfyl Sequel Characters

    23 April, 2012 by Alexa Chipman

    When I am writing, after awhile I have quite a distinct look in my head for characters, and tend to go around and “fantasy cast” people who could do a good job in a film version. I like to open them up in my reference folders every now and then, especially when writing scenes between three or more to see what the room might look like and add to the texture of the scene.

    Since I am now almost halfway writing the draft of Erfyl‘s sequel—Ambar—here is a look at characters you will be familiar with as well as the new ones introduced.

    Erfyl
    Indiana Evans

    What drew me to her was the sweet venerability she is capable of showing, as evidenced in H2O: Just Add Water. I wanted the character to be as feminine as possible, in order to avoid the sort of male superhero in a skirt mentality that pervades a lot of genre fiction. She also has the right general look about her with golden blonde hair, a soft feel and full mouth that I had envisioned the character to look like.

    Stephen
    Richard Armitage

    Although he does not look exactly like I see Stephen’s build, what he does have is a definite stage presence. When he walks on screen you know it! From the first time I saw him in Robin Hood to his portrayal in North and South, I was impressed by the absolute confidence he shows without being overbearing or irritating about it. Stephen does have a darker look than his brother, although not quite to the extreme Armitage has.

    Gina
    Angel Coulby

    When I thought of Gina’s bubbly warmth I immediately thought of Angel. Watch some of her Merlin behind the scenes videos and you’ll see what I mean! Although I see Gina as having a bit darker skin, she definitely has the “cute” look of Angel, rather than something more elegant like Zoe as Ohura in Star Trek. She was probably the first visual I had for any of the characters. The minute I started writing her, Angel popped into my head and remained there, although Gina has definite differences.

    Felix
    Angus McLaren

    I actually chose him because he resembles a much younger David Wenham, who would be my first choice. They both give off an aura of attractiveness without it being the macho type, and also do not appear to be weak at the same time. It is a rare balance which is important to the character of Felix. He also has a bit of a nasty streak to him which comes out under pressure, and he needed to be extra handsome to make up for it!

    Museum Curator “The Old Man”
    Tony Amendola

    I’ve seen him in multiple stage productions, and more screen portrayals than I can keep track of. I think what brought the character and actor together in my head was his role of Bra’tac on Stargate. I didn’t want the curator to be anything like a classic wizard (sorry Dumbledore/Gandalf!) or the overtly elegant sophisticated type. He needed to be down to earth, yet with a haunting otherworld quality to him—eyes that you looked into and saw years of wisdom building within, yet still having the capacity to joke and smile.

    Vanessa
    Sarah Michelle Gellar

    Although she appears briefly in the first book, we find out more about her in the sequel and she takes on a more active role. I wanted someone short, yet fiery, and able to toss out one liners with a wry cutting humour. Vanessa is unlike Buffy in many ways—she isn’t human for one thing, has no friends, hates talking, never goes out to have fun, is a work-a-holic, and enjoys keeping people in the dark and being as cryptic as possible. She also fights with ninja stars when pressed to it, and has more of a flowing dance movement that is closer to River in Firefly than Buffy.

    Ambar
    Jake Gyllenhaal

    He is introduced in the second book and without giving too much away, he is the same race as Vanessa. His character is quite the enigma—you never know which side he’ll decide to be on. The one that is certain is that whichever side he’s on tends to be victorious. Erfyl has a terrible time trying to decide whether to fight him or recruit him. While Dastan has a similar fighting technique, Ambar is much more cheerful and open about his emotions. He also does not have the sense of family bonding, which is the reason he and Vanessa basically ignore each other.

    Guthwyne
    Katie McGrath

    Speaking of enigmatic characters—book two sees the appearance of Guthwyne, the first of the Diras. Until now they have been a sort of faceless enemy, and that’s about to change. As the original power, she chooses to take a semi-human form more often than the others because of her close relationship with Ambar’s race. As for whether she will be Erfyl’s friend or foe you’ll have to read the book to find out! I chose Katie McGrath for her portrayal of Morgana’s story arc. She is able to go from the open-hearted innocent, yet opinionated ward of Uther to a cold bitter adversary. She has a distinctive voice that sets her apart from most actors, and gives the feeling that she doesn’t belong with humans. Her beautiful glowing skin and expressions add to the faerie quality that the Diras possess.

    Agree with the choices? Or did you imagine someone else? Post a comment below!


  2. Review of Get Real—Reality and Mystery

    20 March, 2012 by Alexa Chipman

    Get Real: Reality and Mystery
    By Michael Hickey
    University Press of America, Lanham, 2012

    Purchase book on Amazon.Com 
    Print Version  |  Kindle Version

    Hickey gives an insightful overview of what centuries of philosophy have attempted to reason out regarding reality. I appreciate that he began with defining foundational concepts—it avoids confusion with words, which like reality itself, change based on our personal beliefs and modern culture. In his usual quality of pacing, Hickey touches on each subject without dragging them out, a quality of his writing which readers will be appreciative of.  The book does assume a certain acceptance of God in some form, particularly Christian, which is helpful for preventing the book turning into half apologetics, but may be a distraction for readers who do not hold such a belief. He weaves in rich threads from other faith traditions and history to augment his writing, which create a complete tapestry in his book.

    Like walking past a series of deep pools and glancing in to see their beauty, Hickey acts as a guide past questions about imagination, truth, openness, death, love, and more—always tying them back to theology and the lived reality of being present with God. After exploring the idea of reality, Get Real moves on to the realm of mystery, beginning with the possible influence of ancient mystery cults on early Christianity through Greek and Roman converts. Early Christian practices were held with a shroud of mystery out of necessity, rather than as part of the religion, unlike cults which thrived on veiled secrets. Christianity’s beliefs were supposed to be public and open for all, yet because of them they were persecuted and forced into hiding.

    What Hickey brings up about faith is an important point—one which I fully endorse, “The intellect can only accept those revealed truths whose reasonableness it recognizes,” (51) and yet reason does not see everything at once, which is where faith comes in. If we know a friend quite well, and trust that person, we will have faith that h/she will back us up in an emergency. Our reason can examine past actions and create a hypothesis, but faith is the part that steps in and allows us to go ahead with our plans trusting that friend will step in. It is the same with God’s inspiration through the Holy Spirit.

    The book begins to pick up energy and vitality beginning with a study on how mystery and allegory are used in trials and difficult situations as symbols with great power, “Myths describe important mysteries that must be written in poetic language because ordinary language can’t describe these realities nearly as well” (55). Hickey explains the importance of symbolism in reality and truth, which are present throughout the Bible, particularly in dreams, Apocalyptic literature, and through the prophets. He gives my favourite personification of myth—Lady Wisdom—her own few pages, which as a female studying theology is a breath of fresh air. Wisdom as the feminine characteristic of God has long been overlooked or brushed aside, and it shows Hickey’s own openness and sensitivity to all aspects of faith that he includes her. Through an overview of the Old and New Testament, Get Real considers the motif of wisdom throughout the texts themselves before moving on to theological extrapolations of mystery such as mysticism, absolute mystery, relative mystery, and marriage. Specific persons in scripture, such as Eve and Archangel Michael are examined in the context of mystery, considering their names and end times tradition.

    Hickey goes on to touch briefly on various philosophical ideas of what constitutes reality and our perception of it, bringing in wisdom from a variety of cultural traditions, yet shepherding his vision back to the God of Christianity and what concepts such as spirit and nature mean for the lives of humans. He brilliantly gradates the final chapters to a slow build as if zooming back on the universe—going from the particular to transcendent concepts such as time itself before bringing it back in with the symbol of the cross—a poignant one as we approach the end of Lent. Ultimately, “Through the movement and acceptance of grace, and orientation to the transcendent ground of reality, who is the God of mystery, humans can begin to realize their greater potential. As humans, we have the capacity within us to move beyond ourselves and to become something higher or better than who we are now.” (149). Hickey brings forward the sacredness of God in us, while making it clear that God is not us. He has a sensitivity to the transforming nature of the Holy Spirit that is truly special and inspiring.

    While his book Get Goodness is accessible to a wide audience, Get Real is for the studious who enjoy attention to detail and thinking deeply on a subject. It is the sort of work that must be carefully considered and reflected on while reading. I think there is a definite place for the intellectual in our current society, and I am grateful to have a well-written volume meant to prompt elevated thought. It would not be appropriate for book club discussion or as light reading, but would be an excellent choice for an ongoing study group or for a Christian who feels plateaued in their faith and is seeking to grow closer to God.

    Purchase book on Amazon.Com  Print Version  |  Kindle Version

    Disclosure: Special thanks to Michael Hickey for providing me with a copy of the book for this review.


  3. For there is nothing lost, that may be found, if sought

    9 March, 2012 by Alexa Chipman

    For whatsoeuer from one place doth fall,
    Is with the tide vnto an other brought:
    For there is nothing lost, that may be found, if sought.
    — Edmund Spenser Faerie Queene V.ii

    I posted earlier about the beautiful little book that had vanished and how heartbroken I was about it. Thanks to several friends urging me not to give up but keep looking for it, I wiped my tears away and went to what I do best—more research. Thanks to the reference librarians and a determination not to give up, the exact book was not only recovered but is now officially in a place of honour beside me as I type.

    I cannot remember a time when I was more overjoyed in my entire life. It was an absolute miracle—like seeing a friend you thought was dead walk down the street toward you in a small seaside village and rushing to their embrace just to feel they are really there and well and happy.

    The wonders did not cease, for soon after I found a short story I wrote at 19 that I thought was lost forever shoved into a forgotten school notebook pocket. I shall retype it in later for your enjoyment. I was so disappointed that it had been lost I wrote a rough draft one act play based on it, so finding the original spark was incredibly meaningful.

    What I learned from all this is that even when it looks like that which you love has been ripped away never to return, it will always come back. Maybe it will not always return in so solid and perfect a way as the copy of the Pearl, but it will come back in some form someday if you only keep hope and dare to dream it will, just as Edmund Spenser reminds in his poetic epic Faerie Queene.