‘Fiction’ Category

  1. Visualizing the Erfyl Sequel Characters

    23 April, 2012 by Alexa Chipman

    When I am writing, after awhile I have quite a distinct look in my head for characters, and tend to go around and “fantasy cast” people who could do a good job in a film version. I like to open them up in my reference folders every now and then, especially when writing scenes between three or more to see what the room might look like and add to the texture of the scene.

    Since I am now almost halfway writing the draft of Erfyl‘s sequel—Ambar—here is a look at characters you will be familiar with as well as the new ones introduced.

    Erfyl
    Indiana Evans

    What drew me to her was the sweet venerability she is capable of showing, as evidenced in H2O: Just Add Water. I wanted the character to be as feminine as possible, in order to avoid the sort of male superhero in a skirt mentality that pervades a lot of genre fiction. She also has the right general look about her with golden blonde hair, a soft feel and full mouth that I had envisioned the character to look like.

    Stephen
    Richard Armitage

    Although he does not look exactly like I see Stephen’s build, what he does have is a definite stage presence. When he walks on screen you know it! From the first time I saw him in Robin Hood to his portrayal in North and South, I was impressed by the absolute confidence he shows without being overbearing or irritating about it. Stephen does have a darker look than his brother, although not quite to the extreme Armitage has.

    Gina
    Angel Coulby

    When I thought of Gina’s bubbly warmth I immediately thought of Angel. Watch some of her Merlin behind the scenes videos and you’ll see what I mean! Although I see Gina as having a bit darker skin, she definitely has the “cute” look of Angel, rather than something more elegant like Zoe as Ohura in Star Trek. She was probably the first visual I had for any of the characters. The minute I started writing her, Angel popped into my head and remained there, although Gina has definite differences.

    Felix
    Angus McLaren

    I actually chose him because he resembles a much younger David Wenham, who would be my first choice. They both give off an aura of attractiveness without it being the macho type, and also do not appear to be weak at the same time. It is a rare balance which is important to the character of Felix. He also has a bit of a nasty streak to him which comes out under pressure, and he needed to be extra handsome to make up for it!

    Museum Curator “The Old Man”
    Tony Amendola

    I’ve seen him in multiple stage productions, and more screen portrayals than I can keep track of. I think what brought the character and actor together in my head was his role of Bra’tac on Stargate. I didn’t want the curator to be anything like a classic wizard (sorry Dumbledore/Gandalf!) or the overtly elegant sophisticated type. He needed to be down to earth, yet with a haunting otherworld quality to him—eyes that you looked into and saw years of wisdom building within, yet still having the capacity to joke and smile.

    Vanessa
    Sarah Michelle Gellar

    Although she appears briefly in the first book, we find out more about her in the sequel and she takes on a more active role. I wanted someone short, yet fiery, and able to toss out one liners with a wry cutting humour. Vanessa is unlike Buffy in many ways—she isn’t human for one thing, has no friends, hates talking, never goes out to have fun, is a work-a-holic, and enjoys keeping people in the dark and being as cryptic as possible. She also fights with ninja stars when pressed to it, and has more of a flowing dance movement that is closer to River in Firefly than Buffy.

    Ambar
    Jake Gyllenhaal

    He is introduced in the second book and without giving too much away, he is the same race as Vanessa. His character is quite the enigma—you never know which side he’ll decide to be on. The one that is certain is that whichever side he’s on tends to be victorious. Erfyl has a terrible time trying to decide whether to fight him or recruit him. While Dastan has a similar fighting technique, Ambar is much more cheerful and open about his emotions. He also does not have the sense of family bonding, which is the reason he and Vanessa basically ignore each other.

    Guthwyne
    Katie McGrath

    Speaking of enigmatic characters—book two sees the appearance of Guthwyne, the first of the Diras. Until now they have been a sort of faceless enemy, and that’s about to change. As the original power, she chooses to take a semi-human form more often than the others because of her close relationship with Ambar’s race. As for whether she will be Erfyl’s friend or foe you’ll have to read the book to find out! I chose Katie McGrath for her portrayal of Morgana’s story arc. She is able to go from the open-hearted innocent, yet opinionated ward of Uther to a cold bitter adversary. She has a distinctive voice that sets her apart from most actors, and gives the feeling that she doesn’t belong with humans. Her beautiful glowing skin and expressions add to the faerie quality that the Diras possess.

    Agree with the choices? Or did you imagine someone else? Post a comment below!


  2. Erfyl sequel is a go—it started writing itself without asking

    21 January, 2012 by Alexa Chipman

    When I finished Erfyl I was exhausted—trying to keep everything accurate yet have a compelling story is quite difficult! Plus I was writing my first “first person” work which was also a challenge. Looks like the gaming guild is back for new adventures!

    At first I didn’t plan on writing a sequel for years. Unfortunately the first chapter sat down and wrote itself before I could put a stop to it—the visuals came so intensely that I could not deny them.

    The book opens by throwing the reader straight into the action of a chase sequence—the most compelling intro chapter in any book I’ve seen in a long time. I decided to go with Terry Goodkind’s method of writing sequels by not explaining exactly what events occurred between books, and not opening the sequel with explanatory info for new readers. He assumes you read the previous book and throws you straight into the situation. To me that is a powerful method to use, and so when the opening action came to my imagination I didn’t latch on any information to “introduce” the readers. Here are the very first few lines (remember it is a rough draft):

    Desperately I rushed at an open area between the silhouettes of trees as fern leaves tried to grasp at my ankles. Twigs scratched at my face and arms in my blind stumbling run toward freedom. I could see no light anywhere. A loose rock sent me whamming against dirt. I could taste its soft bark in my mouth and smell the richness of pungent forest needles. Scratching at the soil to right myself I rushed on through the woods. I could not even hear my breathing as I ran—concentrating only on finding openings in the dense undergrowth and thick old trunks surrounding me like ancient sentinel guards turned to stone and helpless against the Diras.

    After writing the first chapter I figured “that’s great, I’ll let it sit for awhile and can ignore it” but no such luck. An emotionally charged situation came up in my own life, which mirrored where the character Erfyl left off at the end of the chapter. I thought I might as well keep writing because I could channel that emotion to her and have quite an honest, realistic chapter two. Here is a brief excerpt:

    Tears stung at my eyelashes threatening to burst out and I knew any speech I attempted would sound shaky at best. I was so furious at myself for messing up, yet I could not feel it for the deep sorrow ripping out my insides that it had been me. I wanted to pout on the cold dock all night, or scream at the hill rising innocently up covered with flowers peeking through the gloom.

    “What’s done is done,” Vanessa finished the figure eight of the lines to secure the ferry, “moping never helped anyone.”

    “But what else can I do?” the words slipped out half mumbled and filled with tears. My throat felt dry as sandpaper.

    Obviously it is a first draft, yet I think the fact I captured what I was feeling can easily be expounded upon later and made for quite a charged set of paragraphs. It looks like book 2 is off to a start, and there is nothing I can do about it!


  3. Erfyl fantasy novel submitted to publisher

    21 October, 2011 by Alexa Chipman

    An ancient race of beings has conquered Earth, and can influence our minds by mere thought—the only problem is—we don’t know it. When Erfyl discovers their secret she is marked for death, unless she can reclaim a mysterious island that bears her name.

    Yes, after several months of going through alpha and beta reader stages (special thanks to all who participated) I have sent the manuscript off to start the proofing process. Usually that takes a few weeks—and I have a final group of readers who will be looking at actual physical proofs of the book before it is released to the public.

    Release date goal: December 1, 2011

    I finished the final edit to the manuscript this afternoon at a cafeteria in Berkeley’s Graduate Theological Union in an atmosphere of some lively discussions. To one side, there was a packed table loudly arguing about the legitimacy or heresy of Arianism, at another area were a few with laptops out having a group meeting about theological language and its impact on child development. There were amusing drive-by style discussions, such as this gem I heard at the soda machine:

    “Chronicles? Are you crazy? Leviticus is so much better.”

    “What? Who in their right mind would willingly read Leviticus. Chronicles is awesome!”

    “Seriously? Who wants to read about a bunch of dead kings ‘who did evil in the sight of the Lord’ I mean seriously, man.”

    I did not hear the conclusion. I hope it did not come to blows.