Review of Rapture, Blister, Burn
By Gina Gionfriddo
Directed by Nadja Masura
For tickets / schedule :
Curtain Call Theatre
Russian River Hall, Monte Rio
Tickets: $20, $15 Students / Seniors 60+
RUN: December 1-16, 2017
RATING: 3.5 of 5 stars
(December 1, 2017)
Feminist ideals of empowerment and equality are juxtaposed with the messiness of real relationships in this multi-generational drama. It enfolds on a muddled canvas of frustrated ambitions through the lives of Don, a college dean, his wife Gwen, their babysitter Avery, and Catherine, an old friend who has returned to town because of her ailing mother.
Catherine is restless, and proposes teaching a summer course inspired by her popular books examining the influence of porn on contemporary culture, resulting in Gwen wondering if she should have finished her degree, rather than becoming a stay-at-home mother, and Catherine musing on the emptiness of her successful, lonely middle-aged existence. The situation is complicated by Don and Catherine’s poorly hidden affair, which forces each character to take a long, honest look at what they have become.
Unfortunately, the performance quality outstrips its material. Rapture, Blister, Burn includes pretentious intellectual discussions hung on a framework more commonly found in a sensation novel, which creates a perplexing result, rather like attending a university lecture with a group of students who spent the previous night binge drinking. While the structure is contrived, playwright Gina Gionfriddo is deeply thoughtful, willing to examine the results of the feminist movement and its practical impact on the lives of women today, regardless of age. Director Nadja Masura has taken a frank, reasonable approach to the outrageous circumstances which come to light in the play, making it easier for the audience to acclimatize to Gionfriddo’s style of presentation.
Lisa Posternak (Catherine Croll) nuances a sexy, confident woman who’s polished career has become a mask covering lack of fulfillment and hollow dreams. Her raw plea to Don at the play’s close shows us the real Catherine, who yearns for companionship. In contrast, Wanda Wiemar (Gwen Harper) whinges in an excruciating fashion only to surprise with level-headed decisions and acceptance of her character’s lot in life, for a fascinating performance. Katie Cady (Avery Willard) is a walking “goth” runway thanks to a variety of bold fashion choices, and keeps her razor-sharp mind at work, constantly pushing for answers and soaking up Catherine’s rhetoric, along with Kathy Ping-Rogers (Alice Croll) the rather spry mother who shows no signs of wear after her heart attack. Lew Brown’s Don Harper has given up on life, losing his drive for success, blissful with his day old pizza and cheap porn. It is the women who move the play forward, taking center stage.
Rapture, Blister, Burn is a lengthy, honest inspection of how feminism compromises in the face of day-to-day challenges and the reality of mediocre relationships. Curtain Call Theatre’s observant, engaging production stirs up challenging questions, and is willing to consider multiple points of view—even Phyllis Schlafly.