Review of 1776
Book by Peter Stone
Music and Lyrics by Sherman Edwards
Directed by Larry Williams
Music Direction by Lucas Sherman
Choreography by Michella Snider

For tickets / schedule :
Spreckels Performing Arts Center
Rohnert Park, CA
Spreckels Theatre Company

RUN: February 10-26, 2017
RATING: 5 of 5 stars

(February 11, 2017)

1776 Spreckels Theatre Company

Photo © Eric Chazankin

America’s earliest years were passionately contested, with hot-blooded colonials seeking independence, Tories who enjoyed the comfort of life as a British citizen, and those who preferred being left alone and hoped the conflict would pass. The debate came to a focal point when the Second Continental Congress met in the heat of Philadelphia to address the matter. A room filled with sweating politicians sniping at each other does not seem like fodder for a musical, or even a lively documentary; fortunately the combination of a solidly crafted book by Peter Stone and clever lyrics from Sherman Edwards transforms the representatives into larger-than-life characters filled with enthusiasm for their point of view.

Spreckels Theatre Company has pulled together an all-star cast of North Bay musical talent, filling the stage with favorites, from Jacob Bronson’s Courier in the piercingly mournful ballad “Momma, Look Sharp” to Gene Abravaya’s impeccable comedic timing as ladies’ man and genius extraordinaire Benjamin Franklin. Poetic license has been taken with the historical figures, leading to amusing songs such as “The Lees of Old Virginia” which is drenched in puns that leave you smiling and groaning simultaneously. From opening curtain to bows, the play skips along at a lively pace, spotlighting representatives for insight into the buildup of the Declaration of Independence. The 1969 musical holds up marvelously well, but shows its age when depicting women, who are largely objectified or thrust into the backdrop of domesticity.

1776 at Spreckels Theatre Company

Photo © Eric Chazankin

Conflict in 1776 ranges between arguments over whether to keep the windows open to relieve the heat, or closed to keep out flies, to a tragic debate about slavery as the horrified John Adams (Jeff Cote) confronts the smug Edward Rutledge of South Carolina (Anthony Martinez). Each character pulls their weight in the story, crafting a unique individual. It is not a cardboard cutout chorus line—this musical is a gathering of giants, whether they are half asleep and drinking rum, perpetually nose in a book like Thomas Jefferson (David Strock), or striding the boards ranting at the assembly. There are no background roles, which provides a rich canvas to enjoy as an audience member.

If history classes were this exciting, it would be everyone’s favorite subject. 1776 at Spreckels turns dull congress meetings into an inventive masterpiece of comedy, laden with innuendos and fun mingling with deeper questions of what we might be willing to give up as the cost of freedom.